

I had the honor of working on The Handmaid's Tale as lead Art Director for season two's social media marketing campaign. Here are some pieces I designed and animated, and concept ideas that helped drive awareness and conversation.

PRESS KIT
The Handmaid’s Tale emotional care package was created to help fans de-stress and unwind as they watched the intense new season. During premiere week, we sent the kits to over 250 talent, influencers and superfans to surprise and delight them and fuel their excitement for the show’s return.

The Handmaid's Tale Stress Relief Box

Materials inside

Message on front flap

The Handmaid's Tale Stress Relief Box

Serena Joy

Janine

Cover

Serena Joy
WHAT'S INSIDE:
● Coloring book for adults, with very appropriately-named colored pencils
● Stone-shaped stress ball emblazoned with "I'm Sorry, Aunt Lydia," a popular phrase from the show
● Pillow featuring Aunt Lydia for when you need to hug, scream or punch something
FAN & CELEBRITY REACTIONS





MINIMALIST
After each episode premiere, we released minimalist "posters" across the brand's social media platforms. The intent was to speak a visual language that only viewers who watched that week's episode would truly understand, thus increasing the urgency to watch them live.
Here are my two personal favorite posters from episodes "Postpartum" and "First Blood", with reference images included. The first image reflects the pool scene of an ill-fated religious couple. The second subtly illustrates the explosive turning point in the season where the red dots symbolize the handmaids, and the black dots symbolize the commanders—based on their colored uniforms.
"POSTERS"












VIDEO CONTENT
When reading the episodes' scripts, we were blown away by the artful writing, and we knew we had to shine a light on the beauty of words.
In the first video, through motion typography and sound, I wanted the viewer to feel the impact of June's empowering promise to her baby. The second video is a select from our weekly "Script to Screen" series. For each episode, we selected scenes that did not feature much dialogue and overlayed excerpts from the script during the silent moments. This brought a different angle to the storytelling, the characters, and their dynamic relationships.
PEACOCK
GWEN STEFANI